单图四层多媒介艺术海报
单图四层多媒介艺术海报，适合短视频封面、AI生图、AI视频分镜和内容创作参考。模型：ChatGPT。
AI提示词短视频灵感
示例图
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提示词正文
Please create a high-end design poster of the same scene from the uploaded photo in the current layer, no multi-photo stitching, each photo output individually. Here, 'no multi-photo stitching' means: do not mix different uploaded photos into the same finished product; each uploaded photo must independently generate a complete four-layer style poster. 【Overall Aspect Ratio and Four-Layer Structure】 The overall layout adopts a 3:4 vertical composition. The image is strictly divided into four equal horizontal areas from top to bottom, with each area's height accurately accounting for 25% of the total image height; the ratio of the four layers is strictly 1:1:1:1, no ratio deviations allowed. Seamless connection between the four layers, no dividing lines, no white gaps, no borders. Since each layer is actually an extremely flat banner of approximately 3:1, the subject needs to be horizontally adapted within each layer: maintain the stability of the subject's main position and visual focus, prioritize horizontal expansion, and avoid the subject being vertically stretched, squashed, touching edges, or having key parts cropped. Environment white space such as sky, wall, ground, water surface, paper, or environment consistent with the original image can be extended to the left and right, but blurred duplicated background filling must not be used. 【Consistency Across Four Layers】 The four layers must come from the same uploaded photo and the same moment. Strictly maintain the consistency of subject identity, number of subjects, human or animal facial features, posture, action direction, line of sight, hairstyle, core clothing characteristics, architectural structure, landmark identity, major object relationships, observation angle, perspective direction, left-right positioning, front-back hierarchy, and narrative relationships. Style layers are allowed to delete secondary backgrounds, reduce textures, and change materials and detail density according to their respective media, but the subject cannot be replaced with another person, another building, another car, another animal, or another scene. 【Layer 1 | Original Photography】 The first layer faithfully preserves the true photographic texture of the uploaded photo. Retain subject identity, quantity, compositional relationships, posture, action, real materials, natural lighting, comprehensive color temperature, and scene atmosphere. Only restrained high-end photography-grade color grading, exposure, and contrast fine-tuning, as well as extremely slight fine-grain optimization, are allowed. To adapt to the current approximately 3:1 banner, natural cropping or extension of environment edges consistent with the original scene is allowed, but stretching, distortion, mirroring, duplicating subjects, moving key objects, changing architectural structures, or redesigning characters is not allowed. The first layer does not add extra text, brand logos, borders, watermarks, or decorative elements. 【Layer 2 | Travel Daily Black and White Line Drawing Observation Poster | Current Layer Adaptation Rules】 This layer only occupies 25% of the height of the overall 3:4 four-panel poster, which is actually an extremely flat horizontal area of approximately 3:1. All style descriptions below are executed "within the current layer." Any expressions in the source prompt such as independent poster, entire image, vertical ratio, separate output, etc., must not change the four-panel overall structure; the current layer's approximately 3:1 flat horizontal ratio is the highest priority. No original image comparison area, second photo, upper/lower split screen, or extra multi-grid may be generated inside the current layer. If there are recomposition requirements in the source prompt, only refinement of background information, materials, white space, and secondary elements is allowed; the subject identity, quantity, key posture, action direction, observation perspective, main perspective, left-right position, and core spatial relationship must not be changed. If text is an important part of the source style, retain it, but it must be reduced to the minimum necessary quantity clearly readable in the current layer; if the source prompt explicitly requires no text, keep it without text. 【Source Style Full Translation Instructions】 Please create a minimalist black and white daily line drawing observation poster of the same scene from the uploaded photo in the current layer. The overall composition uses the current layer's approximately 3:1 flat horizontal banner, presenting only the line drawing observation image. On warm natural white or soft off-white uncoated paper, re-observe the same scene as a minimalist black and white daily line drawing. Do not automatically trace the original uploaded photo, and do not use the full framing for proportional redrawing. First, determine the relationships that truly carry the story in the photo, such as: two to four people talking, sitting together, walking, or waiting; people staying in a cafe, market, station, or street corner; people looking at maps, buying things, riding a bus, or cycling; the real interaction between people and coffee tables, folding chairs, motorcycles, cars, stalls, steps, benches, pets, or luggage. Keep only the minimum visual information needed to maintain this moment. Prioritize accurate retention of: number of people and mutual positions; postures of standing, sitting, walking, or riding; body orientation, line of sight, and interaction direction; arm movements, leg weight centers, and body tilts; contact relationships between people and tables, chairs, vehicles, pets, and other props; large outlines of hairstyles, hats, clothing, and personal belongings; one to three environment structures that explain the location. Adopt a "reduction and refinement" secondary composition. Shrink the main character or the small group of characters and key props to approximately 45%–70% of the image width, placed in the center or following the spatial direction of the original photo towards one side. Retain approximately 45%–65% of undrawn paper white space around the subject. Use only a small number of longer, lighter, more intermittent structural lines to convey location and direction for the environment, such as: a curb or road perspective line; a small section of wall or architectural outline; a door frame or window; a street lamp; a few tree trunks; an awning; a small section of steps; a table or a few necessary chairs. Background lines actively decrease, break, and stop in the distance; do not build a complete, closed background wall. Delete duplicate window panes, brick joints, signboard text, dense passersby, leaves, photographic shadows, and irrelevant clutter, but do not delete table tops, seats, vehicles, leashes, or other key props that make the character's actions valid. The redrawing area strictly uses only natural paper white and single black or extremely deep charcoal black fine lines. Lines should be: generally thin and approximately uniform; with slight hand tremors and hesitation; local folds and line connection misalignments; some outlines not completely closed; like a painter quickly and accurately recording character relationships on site; retaining a slight sense of clumsiness produced by real hand-drawing. Characters are identified through large outlines of heads, torsos, limbs, hairstyles, hats, and clothing. Face retains only one to three necessary dots/lines; do not depict realistic features, wrinkles, skin texture, or hair strands. Contact between hands and props, leg weight, body tilt, sitting posture, and gait must be accurate so that actions can be clearly understood even without shadows. Local proportions are allowed to appear slightly naive, such as slightly larger hands/feet, slightly shorter bodies, or slightly flatter vehicles, but the subject identity, quantity, posture, action meaning, and scene relationship must not be changed. No coloring. No gray filling, hatching, cross-hatching, stippling, screentone, washing, pencil shading, charcoal rubbing, shadow blocks, or solid black silhouettes. Avoid automatic photo tracing, clean vector outlines, adult coloring books, children's cartoons, comic storyboards, stick figures, continuous line portraits, fashion sketches, realistic pen sketches, technical drawings, architectural blueprints, and full-page backgrounds. Based on the location, people, actions, or daily relationships in the photo, refine a group of very restrained English marginal notes: The first line is a small title of 1–3 English words. The second line is a very short observation sentence of 5–10 English words. Text must be determined word for word in the prompt first; do not let the model improvise. Content should be like a soft record of this moment, such as the state of walking, waiting, talking, sitting together, passing by, or going home; do not write vague travel slogans, and do not fabricate locations, dates, or coordinates. Place text on the continuous paper white edges away from characters and key props. Use a single deep charcoal black, thin, plain, slightly hand-written hesitant, and slightly irregular font, as if written with the same fine ink pen used for the character line drawing. The title is only slightly larger than the observation sentence, overall low-key, and cannot become the primary visual focus. Text area does not exceed 3%–5% of the redrawing area. Bold large characters, color block titles, author names, signatures, accounts, brands, brand logos, watermarks, QR codes, URLs, fake Chinese, and garbled code are prohibited. The overall should be like a mature city observation picture book or travel life shorthand: plain, relaxed, quiet, natural, with a slight sense of humor and inadvertent tenderness. It is not a complete street scene illustration, but uses a small amount of lines to preserve the character relationships that actually happened during the trip. Most important rule: Draw accurately the moment when people interact with people or people interact with objects during the trip. Lines can be clumsy, but information must be clear. Paper white must be more than the depiction. 【Layer 3 | Mixed Media Crayon Memory Card | Current Layer Adaptation Rules】 This layer only occupies 25% of the height of the overall 3:4 four-panel poster, which is actually an extremely flat horizontal area of approximately 3:1. All style descriptions below are executed "within the current layer." Any expressions in the source prompt such as independent poster, entire image, vertical ratio, separate output, etc., must not change the four-panel overall structure; the current layer's approximately 3:1 flat horizontal ratio is the highest priority. No original image comparison area, second photo, upper/lower split screen, or extra multi-grid may be generated inside the current layer. If there are recomposition requirements in the source prompt, only refinement of background information, materials, white space, and secondary elements is allowed; the subject identity, quantity, key posture, action direction, observation perspective, main perspective, left-right position, and core spatial relationship must not be changed. If text is an important part of the source style, retain it, but it must be reduced to the minimum necessary quantity clearly readable in the current layer; if the source prompt explicitly requires no text, keep it without text. 【Source Style Full Translation Instructions】 Please transform the uploaded photo into a mixed media memory card in the current layer. Use textured off-white handmade paper as the background, and add a low-saturation, irregular color block based on the overall tone of the photo. Observe the main subjects in the photo, retain their identity, quantity, outline, posture, direction, and key relationships, and redraw them as a concise dark crayon sketch. Lines are loose, imperfect, with natural breaks, slight hesitation, and manual errors, keeping only the minimum details required to maintain subject recognition. Add a short, clear handwritten English phrase in the white space, and add subtle risograph printing grain. The overall creates a quiet, nostalgic Morandi-style aesthetic, retaining sufficient negative space. Do not add extra elements not present in the photo, and do not mechanically copy the full composition of the original photo. 【Layer 4 | Fading Charcoal Travel Memory Sketch Poster | Current Layer Adaptation Rules】 This layer only occupies 25% of the height of the overall 3:4 four-panel poster, which is actually an extremely flat horizontal area of approximately 3:1. All style descriptions below are executed "within the current layer." Any expressions in the source prompt such as independent poster, entire image, vertical ratio, separate output, etc., must not change the four-panel overall structure; the current layer's approximately 3:1 flat horizontal ratio is the highest priority. No original image comparison area, second photo, upper/lower split screen, or extra multi-grid may be generated inside the current layer. If there are recomposition requirements in the source prompt, only refinement of background information, materials, white space, and secondary elements is allowed; the subject identity, quantity, key posture, action direction, observation perspective, main perspective, left-right position, and core spatial relationship must not be changed. If text is an important part of the source style, retain it, but it must be reduced to the minimum necessary quantity clearly readable in the current layer; if the source prompt explicitly requires no text, keep it without text. 【Source Style Full Translation Instructions】 Please use each travel photo I upload as the only visual basis to create an independent 3:4 vertical fading charcoal travel memory sketch poster respectively. Only present the charcoal memory sketch, do not set up an additional original photo comparison area within the current layer. First study the uploaded photo, identify one or a few visual elements that best carry the travel memory, such as houses, cable cars, people, animals, vehicles, ships, bridges, trees, steps, rock formations, doorways, architectural features, or other clearly identifiable objects. Do not transform the entire photo into a complete charcoal landscape. Only refine the most memorable subjects into loose, isolated charcoal studies on warm white paper, and retain minimal environmental information sufficient to maintain subject identity, scale, direction, and sense of place. The subject usually only occupies 18% to 35% of the paper, leaving a large amount of undrawn paper around it. The environment must be minimalist, not building a complete background. Add at most 1 to 3 quiet clues, such as broken ground lines, a small piece of rock or hillside, two or three strokes of a mountain, a cable car line, a small amount of tree traces, small shadow prompts, or a few groups of short spatial scratches; all other information disappears into the paper white. 【Charcoal Painting Language】 The sketch should be like a real hand-drawn and yet unfinished travel sketch, not like a digital filter. Restrainedly combine willow charcoal, compressed charcoal, charcoal pencils, very light graphite, broad directional strokes, short broken strokes, gray smudged by fingers, kneaded eraser highlights, charcoal powder, loose debris, clear paper tooth, uneven hand pressure, broken outlines, and dry powder residue. Use broad and short directional strokes to describe subject weight and structure, avoiding dense academic-style hatching and excessively fine pencil rendering. Deepest charcoal black is only used for the most critical identification structures, such as doorways, deep shadows, windows, tires, character silhouettes, animal horns, structural joints, cable car supports, ship bottoms, or other necessary anchor points. Use only one or two restrained blurred gray blocks to imply volume, letting the paper continue to show through between lines and gray surfaces. 【Fading Effect】 The sense of disappearance must be like real charcoal being partially erased, digital transparency cannot be used. The visual process is sequentially: clear charcoal structure → broken outline → loose scratches → scattered charcoal powder → undrawn paper. Edges gradually lose definition, as if the painter stopped painting, wiped away the charcoal, lifted traces with an eraser, or intentionally kept unfinished parts. Prohibit digital transparency, blur, glow, mist, airbrush, feathered masks, soft focus, artificial gradients, and digital air fading. The subject should emerge from memory and quietly return to the paper. 【Paper and Color】 The entire image strictly maintains monochrome, using only warm white paper, warm gray, cool gray, charcoal black, and a tiny amount of graphite silver-gray, without bringing in photo colors. The paper should be tangibly real: matte warm white drawing paper with clear paper tooth, subtle fibers, charcoal friction, powder residue, eraser marks, and natural imperfections. 【Composition and Mood】 The finished product is like a page preserved in a high-end travel observation book or museum sketchbook. Charcoal drawing represents the part left in memory during the trip. The overall remains quiet, restrained, broad, tactilely real, imperfect, lonely, with a sense of editing, archives, and subtle emotion. Do not make the charcoal subject too large, and do not fill the paper. Let white space become an important part of the composition. 【Strictly Avoid】 Prohibit collages, multi-photo compositions, complete charcoal landscapes, full-background charcoal paintings, photo black and white filters, photo-level pencil redrawing, dense hatching, academic illustrations, watercolors, ink washes, oil painting effects, digital airbrushing, mist disappearance, artificial blurring, smooth gradient fading, decorative borders, rigid templates, oversized subjects, irrelevant objects, fictional landscapes, changing people or animals, changing buildings, replacing subjects, brand logos, watermarks, explanatory text, numbering, and descriptive text. Final priority: Charcoal translation must maintain the same key subjects, identity, posture, proportion, and visual memory as the uploaded photo, and must not fabricate another scene. 【Final Uniform Check】 1. The height of the four layers must strictly be 25% each, and the order must not be changed. 2. No borders, dividing lines, white space gaps, or card-style spacing allowed between the four layers. 3. The first layer maintains real photography; layers two to four strictly execute their respective source styles without mixing media with each other. 4. Subject identity, quantity, posture, action direction, perspective, key perspective, left-right position, and core spatial relationship must be continuous and consistent. 5. Do not mix different uploaded photos into the same poster. 6. Do not add subjects, landmarks, people, transportation, or key narrative objects that do not exist in the photo because of stylization. 7. Unless a source style explicitly requires text, do not add extra text; all text must be spelled correctly and clearly readable, prohibiting garbled code, pseudo-text, brand logos, QR codes, and watermarks. 8. Each layer must be able to independently display its media characteristics, but after combining the four layers, it should still feel like the same scene gradually translated from reality into different artistic media.
短视频创作用法
- 做封面：保留主体、光线、构图、色彩关键词，改成自己的账号主题。
- 做AI视频：把静态画面拆成 3-5 个镜头，补充运镜、动作和转场。
- 做图文/口播：用提示词生成视觉钩子，再配合标题和脚本提高点击率。