第二世界超现实摄影插画海报
第二世界超现实摄影插画海报，适合短视频封面、AI生图、AI视频分镜和内容创作参考。模型：ChatGPT。
AI提示词短视频灵感
示例图
图片来自公开来源，仅作提示词效果参考；正式商用请按来源授权处理。
提示词正文
Please create an independent 3:4 vertical "Second World" conceptual surrealist photography illustration poster based on each photograph I upload, outputting each one individually without collaging. The overall top and bottom are strictly 1:1. The upper half is the original realistic photograph, and the lower half is another layer of space growing out from within the photograph; the two are not a top-and-bottom splice, but a continuous existence of the same moment in different narrative layers. The upper half should preserve the original photograph as faithfully as possible, without changing the subject, action, spatial relationships, lighting, color, and realistic texture, making only necessary proportional cropping and slight high-end tonal refinement to give it a clean, restrained, independent publication-like photographic quality. The creative focus is not on the "subject matter," but on the re-understanding of the visual structure. First observe the most decisive structural clues in this photograph, such as boundaries, slopes, water surfaces, reflections, shadows, cracks, roads, branches, clouds, outlines, gaps, flow directions, repetitive rhythms, spatial transitions, or character poses; find the part most suitable for "crossing the boundary" from among them. Then let it break through the photograph's boundary, enter the lower half, and undergo a translation of use, scale, semantics, or narrative role after entering. It is not a simple extension, but letting something in reality become another kind of existence in the second layer of space that can be used, entered, measured, salvaged, repaired, organized, borrowed, unfolded, or collected. The lower half is a warm, quiet, warm-off-white space with fine paper texture, retaining ample white space. It is not an illustration background or a decorative area, but a place that carries the "new logic after crossing the boundary." The top-bottom relationship should conform to: Reality → Crossing → Translation. The visual interest comes from a clever and accurate cross-layer narrative, rather than cute decoration. Minimalist black hand-drawn line-art characters can be added, but they should be few and precise, 0–3 is sufficient. Characters are not decorations, but users of the Second World; they must have real interaction with the translated structure. Lines should be light, simple, natural, with a slight handcrafted feel, not cute, not complex, and not overshadowing the main subject. Actions should be specific, restrained, and clever, as if seriously handling a small matter that originally existed in this world. A short English handwritten narration can be added, but it must be generated on-site based on the real "Second World event" occurring in this image. The tone is like a discovery or a soft narration written in passing, with a bit of humor and aftertaste, not written as an inspirational sentence, not explaining the meaning, and not following a template. The overall style should present a comprehensive texture of: Mixed-Media Photo Illustration, Surreal Photomontage, Frame-Breaking Illusion, Trompe-l'œil, Visual Metaphor, and Conceptual Editorial Illustration. That is: with cross-media collage as the form, frame-breaking as the mechanism, visual metaphor as the core, and gentle, slight, clever micro-surrealism as the emotional tone. Do not make it into a template image of "small people and sentences added below a photo"; do not have only extension without translation; do not have only form without metaphor; do not force lyricism; do not have a commercial advertising feel, complex illustration feel, repetitive actions, baseless decoration, mechanical collage, hard connections, or cheap healing style. Final goal: Let the viewer first see a valid real photograph, then suddenly discover an element within it crossing over into another layer of space and obtaining an unexpected yet extremely natural new meaning there. It is not adding creativity to the photograph, but revealing the second reality originally latent within the photograph.
短视频创作用法
- 做封面：保留主体、光线、构图、色彩关键词，改成自己的账号主题。
- 做AI视频：把静态画面拆成 3-5 个镜头，补充运镜、动作和转场。
- 做图文/口播：用提示词生成视觉钩子，再配合标题和脚本提高点击率。