东方文化竖三栏展览海报设计
东方文化竖三栏展览海报设计,适合短视频封面、AI生图、AI视频分镜和内容创作参考。模型:ChatGPT。
AI提示词短视频灵感
东方文化竖三栏展览海报设计,适合短视频封面、AI生图、AI视频分镜和内容创作参考。模型:ChatGPT。
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[Theme]: [Chinese Title]: [English Title]: [Core Subject]: [Three-Column Relationship]: Character Crossing / Same Subject Three-Column Variation / Middle Column Main Scene / Artifact Crossing / Other [Left Column Content]: [Middle Column Content]: [Right Column Content]: [Main Color Palette]: [Date / Venue]: [Aspect Ratio]: 9:16 Generate a high-aesthetic, high-information-density Oriental culture exhibition poster, using a "vertical three-column / left-middle-right composition." Do not split the three columns equally, and do not make them into three independent information boxes. Flexibly adjust the width according to the theme, letting each column assume different visual responsibilities, then actively cross column lines through subjects, text, lines, or materials to reconnect the three areas into a complete image. Choose different methods based on the content: Character Crossing: The character is mainly located in the middle column, with sleeves, skirt hems, or ornaments entering the left and right columns, letting the left side be responsible for patterns and textures, and the right side be responsible for structure and archival information. Same Subject Three-Column Variation: Let a continuous subject pass through all three columns simultaneously, presenting different materials, stages, or states in different columns, but the outline must be continuous and cannot become three independent objects. Middle Column Main Scene: Place the strongest key visual in the center column, such as a mountain, building, or large image, while the left and right columns handle the title, date, materials, and research information, allowing parts of the subject or clouds/mist to cross columns. Artifact Crossing: Large artifacts enter other columns diagonally or horizontally from one side, using the subject itself to break the vertical grid, making the three columns merely a layout order rather than physical boundaries. Typography is redesigned according to the structure of each image, using oversized single characters, full horizontal titles, cross-column titles, medium-scale titles, or small information spines. Do not use a fixed four-character vertical layout, and do not repeat the "two horizontal characters + two vertical characters" template. Information density should be close to mature museum posters, art catalogs, and Editorial Design: include English subtitles, materials, structures, dates, venues, curatorial short sentences, and a small number of research drawings, but concentrate them in 2–3 areas, do not spread them evenly across the whole screen. Small structural line drawings, material research, production processes, sections, or pattern research can be added, but keep the area restrained, serving only as second-layer reading content. Use 3–5 main colors, forming clear column relationships with large areas of pure color fields. Combinations such as black, bone white, vermilion, cobalt blue, deep cyan, and ochre are allowed, but avoid dirty gray, heavy aging, and complex gradients. Overall requirements: High definition, clear, clean, information-rich but orderly, accurate subject proportions, sharp text and fine lines, with the completion level of a mature cultural exhibition poster. Avoid: Mechanical three-way splitting, three independent cards, PPT information boxes, fixed title templates, subjects being too small, columns being completely fragmented, random small text, meaningless decorative lines, excessive aging, mottled noise, and low-completion AI poster feel.