现代东方纸纤维大色域活动海报
现代东方纸纤维大色域活动海报,适合短视频封面、AI生图、AI视频分镜和内容创作参考。模型:ChatGPT。
AI提示词短视频灵感
现代东方纸纤维大色域活动海报,适合短视频封面、AI生图、AI视频分镜和内容创作参考。模型:ChatGPT。
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[Poster Theme] [Main Title] [Core Large Color Gamut] [Large Color Gamut Structure] [Main Tone] [Miniature Cultural Scene] [Core Action] [Cultural Artifact] [Activity Information] [Aspect Ratio] 9:16 Vertical Version Design a modern Oriental cultural event poster centered on "paper fiber + large color gamut structure + active white space + miniature cultural scene." Use warm ivory handmade paper for the background, retaining approximately 45%–60% white space. Use the [Core Large Color Gamut] to establish the first visual subject, and form fiber bundles, spirals, flakes, positive and negative shapes, interleaving, nesting, or other clear large-form relationships according to the [Large Color Gamut Structure]. From a distance, the composition method is seen first; up close, it is discovered to be related to the actual craft or material in the [Poster Theme]. The large color gamut has obvious natural paper fibers, pulp particles, watercolor or mineral pigment deposition, natural deckle edges, and matte textures. The [Main Tone] is used throughout; colors are low-saturation but complete and concentrated, without being dirty/old, faded, randomly mottled, heavily noisy, or having digital gradients. Add a very small [Miniature Cultural Scene] near the large color gamut, where figures are realistically completing the [Core Action]. Figures, tools, and [Cultural Artifacts] overall account for only about 3%–5%, with no product display. Figures uniformly adopt a 2D paper light-color illustration style: minimalist facial features, light volume, complete flat color blocks, and a few continuous clothing fold lines; no photographic skin, 3D miniature model feel, CGI lighting/shadows, strong projections, or real depth of field. Add a "scale connection" from a real source between the micro scene and the huge main visual, such as fiber, rotation trajectories, thin foil edges, imprints, positioning lines, or the material itself, allowing the material being handled by the small figure to visually extend into a huge color gamut structure. The connection must have clear starting and ending points, not floating or mechanically repeating the same curve. The main title [Main Title] uses small-scale modern Songti or Mingti type, placed in the white space area; English categories, dates, locations, and [Activity Information] use even smaller font sizes for restrained typography. All text must have real meaning. The overall reading order is: White space and large color gamut → Large shape structure → Material texture → Miniature cultural scene → Craft action → Title and activity information. The final presentation is a modern Oriental editorial poster with clear large shapes from a distance, rich paper fibers up close, and cultural narrative and material details. Avoid huge titles, ordinary Chinese-style illustrations, realistic figures, 3D miniature models, photographic backgrounds, PPT grids, commercial advertising feel, dirty/old paper, random noise, CGI, glass or mirror materials, Logos, watermarks, numbering, and starburst decorations.