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左右构图编辑设计展览海报提示词

来源：OpenNana / 作者：@MrLarus / 模型：ChatGPT / 类型：image

左右构图编辑设计展览海报提示词，适合短视频封面、AI生图、AI视频分镜和内容创作参考。模型：ChatGPT。

AI提示词短视频灵感

去 AI 视频生成工具提取/制作短视频封面

示例图

左右构图编辑设计展览海报提示词 示例图

图片来自公开来源，仅作提示词效果参考；正式商用请按来源授权处理。

提示词正文

[Subject / Work Title]: ____
[Left State]: ____
[Right State]: ____
[Relationship Type]: Front and Back / Concept and Finished Product / Source and Dissemination / Entity and Translation / Other
[Central Axis Change]: ____ → ____ → ____
[Chinese Title]: ____
[English Title]: ____
[Main Color Tone]: ____
[Auxiliary Color]: ____
[Aspect Ratio]: 9:16

Generate a poster with a left-right composition featuring mature Editorial Design and exhibition visual texture.

Do not simply cut the screen into two left and right columns; instead, let the left and right visual areas express different states of the same theme, and let the "middle boundary" be where the change actually occurs.

Use an unequal proportion layout for the left and right areas, using relationships like 40:60, 45:55, 55:45 according to the weight of the subject; do not use a mechanical 50:50. The left side is responsible for establishing the starting point or original state, and the right side is responsible for showing the result after the change, for example:
Front side of the work → back structure and production path;
Design sketch → real space after completion;
Sound source subject → outward-diffusing vibrations and sound fields;
Real entity → rubbings, traces, or images on paper.

The most important thing is the central axis translation. Do not use obvious vertical lines to separate; instead, choose a core element to pass through the left and right areas and undergo continuous changes when crossing the central axis.

For example: flower petals gradually turn into stitches and threads; architectural line drawings gradually turn into real walls; object vibrations gradually diffuse into sound waves; stone relief carvings are gradually flattened into black ink rubbings.

This change must be continuous and natural, allowing the audience to understand at a glance that there is a causal, process, or translation relationship between the left and right sides, rather than two unrelated pictures spliced together.

Typography also participates in the left-right relationship, but all text must belong to the work itself. Use real work titles, subtitles, short sentences, and exhibition information; do not use template placeholder text like "Left-Right Composition," "Design Case," or "Visual Research."

Reduce information on the side with heavier images; the emptier side can bear more titles and text, completing visual weighting through font size, density, and position.

Control colors within 2–4 main color systems. The left and right can have obvious differences in light and dark, cold and warm, or materials, but at least one color, texture, or visual element must cross the central axis to ensure the unity of the entire work.

Final reading order: First see two clearly different visual states on the left and right; second, discover the connection and change happening at the central axis; third, understand "why the left side becomes the right side"; finally, read the title and work information.

Overall requirements: The two visual fields each have a role, there is a clear translation process in the middle, left and right are uneven but visually balanced, with both content logic and a sense of a mature work.

短视频创作用法